Making Art

I make no secret about my dislike of taking commissions. Most people are completely perplexed when I tell them this — they’re astounded that I would turn away perspective clients. Last year, I made an in depth post detailing exactly why I choose not to take commissions. You can read the post here.

This post isn’t about that, it’s about the flip side of the coin. Every once in a great while I encounter a person who actually gets it when it comes to commissions. They want me to do something for them, they don’t try to lowball me, get a “special,” discount, or attempt to tell me how my career will somehow be furthered by doing work for them — none of that. They pay me what I ask for, and they let me do my thing. It’s almost miraculous when it happens — it’s why I’m so grateful when it does. This past week, I delivered a long standing commission to my dear friend, Gamal. The commission was given to me many years ago when I was going through a very trying time. Without being overly dramatic, I can say that my personal flame of inspiration was starving for oxygen when my friend gave me the commission. He obviously saw something that I couldn’t see at the time. He gave me the commission and waited patiently for his drawings to become a reality. The one thing that makes me happiest about finishing this commission is that I gave him something that I couldn’t have possibly given him in 2007. The subtleties and finesse in these drawings are things that only come about with time and experience. You can’t buy them, you earn them through relentless effort.

It’s gratifying to have friends that support you unconditionally. My friend Gamal is amongst a handful of people who have taken the time to tell me that they’ve watched my progress over the past few years. Things like that are priceless. It was a real pleasure handing my friend his drawings. The look on his face when he saw his portrait was worth all my effort. That’s what making art is about. The best is yet to come.

Doing What I do

Today, I started my day at my local coffeehouse working in my sketchbook. It was a cloudy, cold, rainy day so there were lots of folks sitting inside having tasty hot beverages. I’m about halfway through my softcover Stillman & Birn Alpha series sketchbook, and I must say that I’ve found it very nice to work in. I’ll definitely being buying another as soon as I’m finished with this one. Along with drawings of cafe patrons, this sketchbook has also allowed me to start stretching and exploring other stylistic options as well. Interestingly, this sketchbook has not only allowed me to experiment, but it’s also reminded me of the importance of it also being a journal for opinions, thoughts, and ideas.

As I was drawing, a young man sitting over at the bar waved, gave me a thumbs up, and flashed his sketchbook at me. I wandered over, and greeted him. We had a really good discussion and he asked for some advice. He’s just starting out, but he definitely wants to learn. More importantly, he’s willing to listen to critical feedback. This puts him ahead of a lot of people. Today, people get offended far too easily when it comes to such things. I always say, “You can either be offended or you can learn.” It was a pleasure speaking to someone who clearly wants to learn. I love sharing my knowledge and encouraging younger artists when the opportunity presents itself. I feel that it’s something important because it’s not every day that you run into someone with decades of experience who’s willing to give you advice. All in all, it’s been a good day. Life is good.